How church pianists can adjust to new church music (Part 3)

Read previous installments: Part 1 Part 2 Reading String Reductions (A related detour) Sorry for the delay in getting back to this topic. Let me give you a quick few bits of news before we dive in. I am announcing the 2017 Arrangement Contest winner on Wednesday 11/22. Look for it by the end of […]

How to play string reductions

I am in the middle of the series of how pianists can adapt to new more contemporary music in church and I want to take a small and very relevant detour today and discuss string reductions. The reason string reductions are relevant is because very very often, today’s church pianists are asked to play them […]

How church pianists can adjust to new church music (Part 2)

Read Part 1 here Last week, I gave a foundational principle about playing modern church music (sometimes called praise and worship or CCM). The principle was this: The first thing you need to learn is how to play the right chords at the right time. Let’s say that you have to make a choice. You […]

How church pianists can adjust to new church music (Part 1)

A few months ago, I published a post where I promised to discuss how pianists can adjust when their church moves from traditional to more contemporary music. Sadly, I promptly forgot about my promise until someone pointed it out last week. Time to remedy that… Let me introduce an idea this week to get you […]

What a Friend We Have in Jesus (song analysis)

About seven years ago, I recorded a series of videos about the song “What a Friend We Have In Jesus.” If you watch all five, you will probably invest an hour but also get an extensive look at how I evaluate music and reharmonize it. Basically, these videos go through the song line by line. […]